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$49.99

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These captures are compatible with ToneX and ToneX One.

How this started: Going Straight to the Source

A few years back, I wanted to create my own Kemper profiles. I had played many great ones, but I always had the desire to make my own—dialed in from the source exactly how I wanted them to sound. So, I bought a slew of great amps.

  • 2002 Vox AC30 – Korg Era with Don Butler Tone Mods
  • 1994 Vox AC30 with limited edition red tolex and NOS tubes
  • Matchless HC30 with NOS tubes
  • Matchless Chieftain
  • Benson Chimera
  • Fender Prosonic
  • Dumble Steel String Singer Clone (SRV fame)
  • Borrowed a 1964 Vibrolux in mint condition
  • 1964 Vibroverb Reissue with JBL speaker (SRV fame)

Experimenting with Dual Profiles

When I had them, I experimented with creating dual profiles—blending two amps together into a single profile. One of my favorite combinations was the AC30 and Benson Chimera, so I captured that pairing in two ways: one with the Benson as the primary flavor and one with the AC30 as the primary flavor. I tried this with a few different amps and ended up with some great combinations.

In the end, the experiment was worth it—the Kemper profiles turned out great! Fast forward to today—I don’t have those amps anymore, and I miss those sounds.

Bringing the Profiles to Tonex 

So I decided to experiment again by capturing my Kemper profiles with the Tonex. When I did this with the Quad Cortex, the results were nearly identical. I had high hopes for the Tonex, and it didn’t disappoint!

If you’ve ever run your pedalboard into a Kemper (or two for stereo), you know the common complaint—too compressed. But with a Tonex, it’s a different story. It responds, crackles, and breathes like a real amp, with all the headroom you’d expect.

Now, I have the sounds I love (especially the dual profiles, which are so unique) in a device that responds like an amp should. I wanted to share them with you.

If you’re like me and don’t care whether these were made directly from amplifiers—only that they sound great—you’ll love them. But if you’re more of a purist, I challenge you to try them. You might be surprised. 😉 After all, if it sounds good, it is good. 

What’s Included

14 captures are included in this pack:

  • 2002 Korg Era Vox AC30 with Don Butler Tone Mods: Tons of AC30 chime and sizzle.
  • 1994 Vox AC30/6TB: The red tolex makes this one sound mean. 😜 In all seriousness, this AC30 sounds a bit more mellow than the 2002; it’s warmer and meatier. Think an AC30 through Greenbacks instead of Blues.
  • Benson Chimera: Round, big, and the grind I love.
  • Benson Chimera + AC30 Dual Capture: More grind, less chime. The Benson takes the lead, giving it a thicker, chewier sound.
  • AC30 + Benson Chimera Dual Capture: More chime, less grind. The AC30 leads the way, keeping things a bit brighter with more sparkle.
  • Fender Prosonic: The Prosonic combo breaks up in a way that’s just special. One of my favorites. 
  • AC30 + Prosonic Dual Capture: A great mix of chime and meat. AC30, but with some extra weight behind it.
  • Matchless Chieftain: Beefy and round with plenty of bottom end, and a hint of Matchless chime. 
  • Matchless HC30: Chime and sizzle for days. The top end definitely has that signature Matchless bite. 
  • 1964 Vibrolux Reverb: All the mid-scooped and beautiful high end you’d expect from a vintage blackface Fender. 
  • 2002 Vox AC30 + Vibrolux: A blend of the 2002 AC30’s chime and sizzle with the scooped, glassy tone of the Vibrolux. The result? Enhanced bass response AND smoother high end.
  • Matchless HC30 EF86 Channel: The EF86 channel is something special. More gain, more harmonics, and an aggressive edge—like an angrier Normal channel. I don’t have a consistent use case for this, but it’s fun to mess with.
  • Matchless HC30 + Vibrolux: Matchless bite and chime combined with vintage Fender Blackface cleans.
  • Vibroverb + SSS: The famed SRV combo. Massive bottom end and aggressive, biting cleans. Strat heaven on this one!

How They’re Voiced

  • Pedal Platform: These are designed as pedal platform captures—clean-ish to edge-of-breakup.
  • Dialed for Flexibility: Most captures I’ve tried from others tend to be too dark. These allow for a bit more flexibility with the high end.
  • Input Trim: I keep the input trim at +8.5 (stock). No time for messing with that stuff all the time. 😜

Feel free to read the Read Me prior to purchasing.

If you have questions or need assistance, feel free to reach out. I’m always happy to help!

In Christ,

Troy, GFHG