You can import these presets into your pedal using a MIDI cable (I use this one) and Meris’ editing program, prEDITOR, which is available for download on their website.
Preset Pack Methodology:
Each preset is organized by reverb intensity:
- Numbers 1, 2, 3 correspond to the level of reverb intensity, with 1 being mild and 3 being more washed out.
Presets:
- Cloud-like reverbs
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- Presets: GFHGC1, GFHGC2, GFHGC3
- These are your go-to for the lush, ethereal worship tones that have become a genre staple. Ideal for wetter tones reminiscent of the Bethel sound.
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- Plate reverbs
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- Presets: GFHGP1, GFHGP2, GFHGP3
- Classic plate reverbs, dialed in specifically for worship. These offer a straightforward reverb with a touch of brightness.
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- Prism reverbs
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- Presets: GFHGR1, GFHGR2, GFHGR3
- Based on the unique Prism algorithm, these presets deliver a versatile, adaptable reverb suitable for a wide range of applications in the worship genre.
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- Prism reverbs, part 2
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- Presets: GFHGL1, GFHGL2, GFHGL3
- Use these for a subtle, supporting reverb—ideal for when the effect isn’t a focal point, inspired by tones from Hillsong and Elevation.
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- Ambient reverbs
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- Cloud swell
- Cloud-like reverb designed for swells.
- Cloud pitch swell
- Adds a slight octave up to the cloud-like swell reverb.
- Cloud freeze
- Cloud-like reverb tuned for swells, but adds a freeze function using the modifier button
- Cloud trem swell
- Cloud reverb with movement from tremolo for a pulsing effect.
- Vib swell
- Cloud reverb with a lush, swampy vibrato for added depth.
- Cloud swell
