This is the go-to if you prefer to stick with one performance (maybe two) for your whole set. the performance contains five presets, all powered by profiles I made from my amp collection (2002 Vocks AC Thirty, Match Cheeftin’, 2002 Vocks AC Thirty + Prosonick Dual Profile, 1965 Vibrolucks + AC Thirty).
Bethel/Jesus Culture – Overdrives shaped like the JHS Superbolt, Browne Amplification Protein and Jackson Audio Belle Star or Prism. Vibrato/Chorus in the style of the Walrus Audio Julia. Octave effect like the POG and a built in whammy! 🙂 Delay and reverb are lush, as you would expect.
Elevation – Brighter sounds out of this one. More aggressive. Overdrives are shaped like the Browne Amplification Protein–both the blue and green side. Delays are more straight forward, with medium reverb. POG and chorus are also available.
Hillsong – Vox meets Fender in this one. This makes for a round but bright tone. Overdrives are shaped like the popular green variants and the silver box meant to boost stuff. Two delays to switch between: dotted eighth and eighth into dotted eighth (giddy up). Nice reverb and POG will get you into Hillsong territory.
Everything Else – This one strikes a balance between Bethel and Elevation. Washy, but too washy. Bright but not too bright. It’s a great catch-all patch!
Swell – Can’t have a P&W patch without swells, right?
There are two performances: One set up for dotted eighth style stuff and one setup for quarter note stuff (tap double time for eighth note stuff). Each are labeled accordingly.
*Note – The morph function provides a boost, decreases reverb mix or a combination of both. Check it out!
